In
May 2000 Anne Price Yates joined a group of plein air painters
in Provence, France. The experience initiated her current style,
which is more impressionistic than her earlier work. In September
2001 at the Desert Empire Fair, Ridgecrest, California, the four
paintings Anne entered in the competition in the professional
category took first, second, and third place and also honorable
mention.
Paintings
of Anne Price Yates have been exhibited in California, both in
the San Francisco Bay Area and in the high desert, as well as
in Manhattan—in SOHO and Chelsea galleries. In late 2007
and early 2008, some of her French paintings were shown at the
Kingstad Gallery in Beaverton, Oregon. In March she exhibited
at the Riviera Country Club’s 24th Annual Exhibit in
Coral Gables, Florida. Her giclées are available either
from her or from the Coleman Studios in Orem, Utah (Colemanart.com).
At
the age of four, Anne was asked by neighborhood children to draw
pictures for them. At age 10, she was a student in the Carnegie
Institute’s (Carnegie Museum of Art) Tam-O-Shanter Saturday
classes in Pittsburgh and continued in the Saturday Palette classes
as a teenager. Anne began painting with oils at 11 or 12. As a
young teen, she won several awards for her painting, including
the gold key in Kaufmann’s Scholastic Art Awards Exhibit
and first place in a Florida state art contest by the Florida
Division of the American Association of University Women.
Anne
was among the youngest of 16 students between the ages of 14 and
16 selected to research, design, and paint four large backdrop
murals for a major exhibition of Medieval and Renaissance Arms
and Armor at the Carnegie Museum in Pittsburgh (see Carnegie Magazine,
Nov. 1953, pp. 300-305). The project was covered by the local
newspapers, KDKA television station, and Life Magazine. Anne is
shown here, on the cover of The Pittsburgh Press Roto Magazine
(Sunday, September 6, 1953) with artist Jack Butler.
By the time she studied Art at Florida State University in Tallahassee,
Anne was focused primarily on figure drawing. Her interest in
the human form was evident in both her drawing and painting, although
her work included an occasional landscape. Her portrait work was
usually in either colored pencil or graphite.
Genealogical
books for sale from Anne Price Yates: